Published in the ANZCA Associate Performer Diploma (Classical Pianoforte) 2025-2027 Syllabus, "Fly High, Butterfly" tells the story of a butterfly growing up, as a metaphor for growth and life. It is a musical interpretation of the four stages of a butterfly’s life cycle - the egg, caterpillar, chrysalis, and butterfly. Drawing inspiration from dance improvisation, this piece reminds us to appreciate the transient beauty of growing up and recognise the magic of life, just as we adore butterflies. An audio recording is available here, and a downloadable PDF score can be purchased here.

Inspired by physical movement, Spirals, written for marimba, vibraphone and harp, explores what happens when musicians extrapolate physical gestures embodied within their principal instruments and apply them to another instrument. Using physical movement implied within “spiral” as impetus for sonic outcomes, Spirals demonstrates the intertwined relationship between sound and movement. Through extensive workshopping with percussionists from the Monash Percussion Studio, Spirals challenges performers to interact with an instrument beyond their own, expanding their understanding of different instruments in a fun and hands-on way. Spirals brings one on a journey of spiralling from one instrument to another,, to spiralling cyclical harmonic progressions and melodic contours. Spirals premiered at Spirals by Monash Percussion Studio in September 2025.​​

Inspired by how snow globes encapsulate memories, Falling into place, written for alto saxophone and harp, immortalises one’s experience of playing music with friends in uni. A fleeting yet cherished moment that one holds on to, as one chapter draws to a close and another begins. Falling into place premiered at Interwoven in November 2025.

Inspired by what it means to say goodbye, In Fragments explores how at the end of a journey, all we are left with are in fragments of memories. It explores the deeply intertwined relationship between sound and movement, asking how far the derivative cycle of interchanging between music and dance can go. It is a scoring of a dance film, using choreography as notation by translating visual movement into music. Beyond scoring movement that unfolds over time, snapshots of the film are also interspersed at various points, exploring how still choreographic images can be represented musically. In Fragments premiered at A Celebration of Female Composers by the Monash Law String Orchestra in October 2025.

Sculptures of Movement is a new composition written for B-flat clarinet and harp, and extensively workshopepd with Nicole Canham. It explores the interdependency between sound and movement. It is inspired by sculptor Agathon Léonard’s artwork - The Scarf Dance (Le Jeu de l’Écharpe) - comprising fifteen porcelain women figures dancing in flowing dresses, each in a different dance pose, and uses choreography to shape musical material. Written specially for, and premiered at the International Women's Day Lunchtime Concert at Monash University in March 2025, the fiery and rhythmic character of Sculptures of Movement celebrates the power of women in music. 

Awarded First Place (Winner) in the 2024 Allan Zavod Performers' Award for Take Flight, a 14-minute solo harp composition and improvisation, with support from the Noel and Carmel O'Brien Family Foundation. Take Flight is a metaphor for one taking off and beginning a journey, inspired by the structure and sounds of a flight and translating these into a sonically-diverse and theatrical improvisation that captures the ups and downs of life. 

Invited to perform at the AJIRN 7 Conference 2024 at Monash University as a harpist and dancer. Combined harp, contemporary dance, composition/choreography and improvisation to explore how improvisation forms the connectivity thread that ties sound and movement together. Movement embodied within playing the harp, such as the harpist’s arm gestures or plucking the strings, are used as impetus for movement choices. 

Awarded the 2022 Monash University CMT and Composition Prize. Commissioned to write a "high energy, three-minute banger" for the Syzygy Ensemble in Australia. The new work, "Chasing Shadows", premiered at the Melbourne Recital Centre in Nov 2023, as part of Syzygy Ensemble's Joy Ride programme. 

Invited by the Sir Zelman Cowen School of Music and Performance to compose a new piece combining a non-western instrument with a string quartet, to be used for discussion during the Strike a Chord Music Teachers' Conference. Presented "Cloudy Thoughts", written for Bouzouki and String Quartet, on 28 August 2022.

Invited by School of the Arts Singapore (SOTA) to compose a new piece in response to artist Wu Guanzhong's artwork. Inspired by "Thick Leaves" by Wu Guanzhong, I composed "The Forest Experience" for the Dizi and Harp. It was performed by Neo Rui Zhi (dizi) and myself (harp) on 27 April 2019 at the Padang Atrium of the National Gallery Singapore.

Awarded the Outstanding Creative Composition Award and the Category 3’s Jury Choice Award for my solo harp composition, "Renew", at the 2019 Creative Composition Competition organised by Harpfest. Invited to perform at the 2019 Harpfest Gala Showcase, held at the Atrium of University Cultural Centre (UCC) Singapore.

Selected for the Arts Excellence Programme by School of the Arts (SOTA) Singapore over 3 years. Attended the Young Composers Academy by the Cleveland Institute of Music in 2019, as well as local workshops in 2018 and 2020. Composed "the end of the road", for B-flat clarinet and piano, for the Young Composers Academy. It premiered in the Mixon Hall at the Cleveland Institute of Music in June 2019 by musicians from Ars Futura Ensemble, a Cleveland-based collective.

Invited by the Music Faculty at SOTA to perform my original compositions in the school's annual composition showcase, Process (2017, 2018), and in the school's end-of-year online showcase, Chronicles (2020). All performances were in the SOTA Concert Hall. 

• i - IV , for piano and violin, was performed in Process IV (2017) 

• Kaleidoscope, for clarinet, harp, and piano, was performed in Process V (2018) 

• +1 216, for harp and piano, was recorded for the online performance Chronicles (2020).